228 High Street, (P O Box 247)
Central City, Colorado 80427-0247
Phone: 303.582.5283

gchs@wispertel.net

Herndon Davis

Three original works by artist Herndon Davis.

Death of Artist Yields Secret
to "Face on Barroom Floor"

By JOHN KOKISK
Denver Post Staff Writer

The closely guarded secret of the identity of the "Face on the Barroom Floor" in Central City's Teller House can at last be told, but only because the artist is dead.

Herndon Davis, 61, former Denver Post staff artist and creator of the world-famous face, died Wednesday afternoon in Washington, D.C., of an apparent heart attack.

The face is that of his wife, Nita, who still lives in Denver.

Only two men besides Davis and his wife knew the secret - attorney Fred Mazzulla and Dr. Nolie Mummy, both of Denver. They were both sworn to silence until Davis' death. Mazzulla revealed this story after learning his friend had died.

Davis was employed by the Central City Opera Assn. to paint pictures for the hotel and opera house. One Sunday he got into an argument with Ann Evans about the authenticity of some Western pictures. It was a fierce argument. After it was over, a 16-year-old busboy named Joe Libby said to Davis:

Self portrait of Herndon Davis,
ca. 1934

Herndon Davis Exhibit through December 31, 2006

"You're going to get fired, you know that. Why don't you give them something to remember you by. Paint a picture on the floor."

And so, when the bar closed, Davis got himself a fifth of rum, a bottle of Coke, a brick and some painting material.

He used the brick to sandpaper the floor, drank the rum and Coke, and then - by a dim light - painted the face of his lovely wife.

He was born Oct. 27, 1901, in Wynnewood, Okla. And spent most of his boyhood in Fort Smith, Ark. He worked as a shoeshine boy in Kansas City, MO, and saved enough money for his first art lesson. He spent several years as a young artist in Greenwich Village, where he met Nita.

He was working on plans for a mural in the Smithsonian Institution's new archaeology building when he was stricken."


Denver Post Nov. 8, 1962

 
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